In their words
“Candy Chang’s work at the intersection of public art, community engagement, and urban design touches on every aspect of art’s role in society and contributes to meaningful placemaking in our communities.” —Public Art Review
Before I Die is merely one of the most creative community projects ever.” —The Atlantic
“Candy Chang's art serves as a wake-up call in our fast-paced digital age. Armed with little more than chalk, labels or post-it notes, she transforms nondescript urban spaces into compelling works that inspire the often device-obsessed masses to engage with each other, and the world around them.” —Ad Age
“Candy Chang’s ambitious projects answer the question ‘Can art change the world?’ with a unanimous ‘Yes.’ With the help of neighbors and dreamers everywhere, she’s making the world a better place, one street corner at a time.” —We R Classic
“Candy Chang’s sense of humility, curiosity, empowerment and open-minded perspective on life touches every project she’s shared... Using what she describes as 'low-barrier tools,' Chang’s work embodies a pure direct magic. The chalkboard and primary colors used in Before I Die are a welcome reminder of limitless childhood imagination. Many of her art projects have the comfortable feel of teaching materials that wipe away fear around sharing your unique voice and offer a safe space for being creative in public. ” —Crixeo
“We love the work of artist, designer and TED Fellow Candy Chang... The notion of turning neglected space into an active invitation to engage with your community and get to know your neighbors is a wonderful embodiment of enlightened urbanism. What’s more, it’s a reminder that not all meaningful social platforms are accessed through a screen.” —Brain Pickings
“It’s hard to know where to begin with Candy Chang… We love how she has opened up discourse around public space by providing people with easy and innovative ways to have a say about how their urban environment should be developed. Whether it is with post-it notes or a piece of chalk, Chang has proven that you don’t need big budgets to have a big impact.” —Wooster Collective / USA Network
“Good urban design doesn’t just help people engage with their cities; according to artist and designer Candy Chang, it also helps people engage with each other… Chang creates public spaces that spark conversation and reflect a sense of community identity—often using little more than chalk, stickers, and some creativity.” —The Atlantic
“Through a series of large-scale projects that combine installation art with social activism, Chang has encouraged people to engage with public spaces to let their voices be heard.” —O, The Oprah Magazine
“We are way into Candy Chang's work because it makes urban systems and possibilities visible while bringing a much-needed sense of narrative and personality to the all-too-often dry world of wayfinding, data visualization and public information exchange. In the process, she articulates an important field of action for designers of all disciplines.” —Urban Omnibus
“They're the stuff of everyday life from people of all walks of life... Young or old, rich or poor, the Before I Die wall does make you think as you walk by.” —NBC News
“Art as a forum for localized collective experience is invariably the driver of Chang’s work... Looking for Love Again became a slowly unfolding town hall convening, a perfect crystallization of what I interpret as the colliding themes that have fueled her remarkably poignant, accessible, and affecting brand of art: mental health and the desire to be heard, the dynamics of public space, and ultimately, living with ourselves and each other.” —Pelican Bomb
“Candy Chang has different cultures in her DNA but just one obsession: intervening in public space. For her, it’s like setting up a hybrid board game designed for mass participation in the heart of the city. Thanks to this artistic modus vivendi in which art flirts with activism, Chang’s large-scale participatory installations both blur the boundaries between public and private and give passers-by the opportunity to spontaneously interact with and ask questions about her works. Ultimately, her installations provide the public with the means to reclaim the space around and within them.” —Onassis Cultural Centre
Selected press
    • Crixeo. “Candy Chang’s Interactive Street Art Experiments,” by Christa McIntyre, Feb 2017.
    • Public Art Review Magazine. “Dialing for Wisdom: Candy Chang’s Latest Project The Atlas of Tomorrow,” by Amelia Foster, Issue 55, Fall/Winter 2016, p.72-75.
    • LEAP Dialogues: Career Pathways in Design for Social Innovation, edited by Mariana Amatullo, Bryan Boyer, Liz Danzico, Andrew Shea, Designmatters, 2016.
    • Mental Floss. “Role Model: Candy Chang” by Jen Doll, Volume 15, Issue 3, May/June 2016.
    • Pelican Bomb. “Storytelling in the Streets: An Interview with Candy Chang” by Nick Stillman, Nov 5, 2015.
    • DMI: Review. “Candy Chang: Social Design in Arts and Letters,” Summer 2014, Vol. 25, Issue 2, p. 40-41.
    • Print Magazine. “Women Who Design” by Sabrina Shuttles, Feb 2014, p. 40-47.
    • CBS News. “Before I Die Art Project Goes Global” by Magalie Laguerre-Wilkinson, Dec 28, 2013.
    • AP News. “Public Art Project Elicits the Profound, Profane” by Carolyn Thompson, Dec 4, 2013.
    • CNN. “‘Before I Die’ Walls Turn Dreams Into Words” by Emanuella Grinberg, Dec 2, 2013.
    • Brain Pickings. “Before I Die: A Global Ethnography of Anonymous Aspirations in Chalk and Public Space” by Maria Popova, Nov 2013.
    • BMW Guggenheim Lab. “100 Urban Trends: Public Space” by Christine McLaren, Sep 2013.
    • Origin Magazine. “Top Creatives,” Mar/Apr 2013.
    • Public Art Review Magazine. “Conversations with Five Artists Who Think Deeply About How Public Art Can Shape Our Experience of Place” by Joseph Hart, Issue 47, Nov 2012.
    • CNN. “Assignment: I Wish This Was…”, Aug 2012.
    • The Atlantic. “Confessions From Sin City” by Emily Badger, Aug 2012.
    • The Walker Art Center. ”Fill-in-the-Blank: Candy Chang’s Urban Interventions and Open-Ended Questions” by Paul Schmelzer, Apr 2012.
    • NBC News. “Hopes and Dreams Become Urban Art,” Dec 6 2011.
    • Grist. ”The City Speaks – and Artist Candy Chang Finds Fresh Ways to Listen” by Greg Hanscom, Dec 2011.
    • O, The Oprah Magazine. ”Community Builder: How Candy Chang’s Public Art Projects Are Changing Communities Everywhere” by Jessica Sivester, Sep 2011 issue, p60.
    • The Atlantic. “A Conversation with Candy Chang, Public Installation Artist and Designer” by Samantha Michaels, Aug 2011.
    • Fast Company. “Looking for Love Again: Abandoned Buildings That Ask Cities For Renewal” by Morgan Clendaniel, Jun 2011.
    • USA Network. “The Innovative Candy Chang” by Wooster Collective, May 2011.
    • Juxtapose Magazine. “An Interview with Candy Chang” by Helen Soteriou, Apr 2011
    • La Tempestad Contemporary Arts Magazine. ”Candy Chang: Antes De Morir” by Gerardo Terán, Issue 77, Apr 2011.
    • Design Observer. “The Interventionist’s Toolkit: Posters, Pamphlets and Guides” by Mimi Zeiger, Mar 2011.
    • Wired Magazine. “TED 2011: What Do You Want To Do Before You Die?” by Olivia Solon, Mar 2011
    • TYPO Magazine. “Disciplines Are as Wide as We Want Them to Be: An Interview with Candy Chang” by Linda Kudrnovská, Issue 42, Winter 2010, p 30-37.
    • Fast Company. “A Generation of Emerging Designers Who Design With Purpose” by Alissa Walker,  Masters of Design Issue, Oct 2010.